While I don't claim to know everything about singing for competitions, I would still like to express my personal take on what I had observed and listened for today. So for the following groups of people, you may want to take a closer look at my commentary for today's singing.
For those contestants who made it to the qualifying round tomorrow, if you are interested in what I had to say about today's first 100 contestants' singing, please feel free to read my commentary in this blog.
For those contestants who did not make it to the qualifying round tomorrow, and want to know why you did badly, you can also read for experience and feedback.
For those who are friends of contestants who made it to the qualifying round tomorrow, why not pass this blog post to your friends? You never know what they might learn from here.
For those who think I am kaypoh and busybody and not qualified to criticise, you can just click the close window button and forget about what you have just read.
Here we go:
Now, for my commentary for all those who are interested and open-minded enough to learn. If you are close-minded, then don't bother reading on.
1) KTV singing is NOT EQUAL to live stage singing
Most of the contestants made the mistake of thinking that they would sound exactly the same as they did during their KTV sessions. They forgot that KTV rooms have acoustic influences which would hide their singing flaws or gaps because of the background music. For those interested in singing live onstage but cannot afford a personal microphone, you can still practise, without the background music in KTV. You would be surprised that you sound a little different without the music accompaniment. Work from there onwards.
Most of the contestants made the mistake of thinking that they would sound exactly the same as they did during their KTV sessions. They forgot that KTV rooms have acoustic influences which would hide their singing flaws or gaps because of the background music. For those interested in singing live onstage but cannot afford a personal microphone, you can still practise, without the background music in KTV. You would be surprised that you sound a little different without the music accompaniment. Work from there onwards.
2) Emote the song with sincerity, not blind repetition from original renditions
A significant majority of the contestants who did not make the cut had committed the error of mimicking the original singers' renditions of the songs. They tried to sound exactly as the original singers, which is totally not what the judges wanted because they want to hear contestants' own rendition of the songs. Having good singing techniques is NOT EQUAL to mimicking original singers. Have your own style and be confident about it without worrying about whether it would rest well. As long as you are not deviating for the flavour of the song, you don't have to sound exactly like those singers in the industry at all.
3) Smile and be polite and confident onstage
Most contestants, including those who got in to the qualifying round, were way too solemn and serious onstage. For those who have observed Teresa Tseng who sang onstage, she treated each stage experience as an opportunity to showcase and share her passion of singing to everyone else, hoping that everyone would be enjoying the performance but accepting whatever that comes along afterwards. However, most of the contestants seemed to be more worried about how people would think and ended up full of unnecessary thoughts and worries, dwarfing their confidence, sounding really frail when introducing themselves, and looking really distracted when trying to emote their songs. There should be only one thing in mind for contestants - sing. What about everything else? Those should have already been resolved before one goes onstage....
4) Establish sincere eye contact and free yourself from self-induced fear
Quite a number of contestants chosed to close their eyes or look into the air above the audience during their performances. I personally think it is bad form because the song one sings is supposed to reach the real audience, not the imaginary audience in the head or the air molecules above the audience area. Eye contact is absolutely necessary for the transmission of song and most contestants would probably have the self-induced fear that everyone would wish them failure. That is incorrect - most music-lovers want, desire and crave good performances, even though it may be from their competitors because deep down inside, most people want to learn not just from oneself but from others as well. Give everyone the opportunity to learn from one another, not hide away out of fear.
Why was I there? Although I am too old to sing in such competitions and was never considered dashing or handsome, I wanted to learn too. Being there at such competitions continue to hone my listening and appraisal skills for quality singing and quality performances. Such skills do erode over time and these events continue to provide opportunities for me to practise them. What do I do with what I have? Share them with those who are open-minded to listen and learn too.
Once again, good luck to all those who will be singing for tomorrow's qualifying round! May the best contestant wins!
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